...As the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes-- a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                       - F. Scott Fitzgerald

 

Is New York an exemplar of or exception to the “American Dream”? Is it at the edge or center of American culture and politics? These courses attempt to answer this question by exploring New York City’s cultural history, grounded in an understanding of New York's literature, architecture, and politics.  Stretching from the arrival of Dutch settlers to the present, the course pursues New York’s version of the American Dream through six interrelated themes:

 

  Identity  the nature of the individual, self-reliance, liberty, the city as threat to/theater for difference

  The Frontier   ‘manmade’ v. ‘natural’ landscape, urban ‘frontiers, ’ American anti-urbanism

  Mobility  material success/failure, social and spatial movement, status, class consciousness and conflict

  Modernization   industrial growth, wage labor, bureaucracy, consumer culture, large-scale institutions

  Democracy   the city and metropolis as agents or enemies of democracy, equality vs. liberty

  Inclusion/Exclusion   race, ethnicity, gender, class, religion, the process of assimilation, nativism

 

 

These themes are interwoven in the tour units we shall study

(The order and arrangement may change. For this year's order and course expectations, please go to course requirements page):

  I  Lower Manhattan

    Origins: Native Americans, Knickerbockers and the New Republic, 1609-1825

  II  The Lower East Side

    City of Immigrants: From the “Five Points” to the Present

  III   Brooklyn Bridge and Brooklyn Heights

    The New Metropolis in the Gilded Age and Progressive Era, 1825-1914

  IV   Skyscrapers and Greenwich Village

    The “Roaring Twenties,” Radicalism and Bohemia, 1919-29

  V  Harlem

    Black Metropolis: From the Harlem Renaissance to the Present

  VI  Central Park

   Whose Park Is It Anyway?